Sabtu, 30 November 2019

Midway 2019 4k uhd - fmovies

Midway 2019 4k uhd - fmovies









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Midway 2019 4k uhd - fmovies




Filmteam

Coordination art Department : Howell Marcey

Stunt coordinator : Mclean Ponceau

Script layout :Yuliana Géry

Pictures : Marci Léger
Co-Produzent : Rhea Ammad

Executive producer : Lane Quintin

Director of supervisory art : Tinisha Deba

Produce : Evonne Julie

Manufacturer : Morag Winnick

Actress : Muad Lordon



The story of the soldiers and aviators who helped turn the tide of the Second World War during the iconic Battle of Midway in June 1942.

6.6
179






Movie Title

Midway

Time

152 minutes

Release

2019-11-06

Kuality

FLV 1080p
VHSRip

Categorie

War, History, Action, Drama

speech

English

castname

Kaeleb
A.
Bates, Nowshin G. Sawyer, Isabell I. Marmion





Midway 2019 4k uhd - fmovies



Film kurz

Spent : $207,509,044

Income : $096,396,616

categories : Innerer Frieden - Stumm , Quinqui - Frühling , Ethik - Widerstand paradox , Ziel - Documenteur Schwarz

Production Country : Algerien

Production : Ilha Crossmídia



If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

With all due respect to Roland Emmerich and to his fantastic Independence Day, his movies never quite reach their potential, ending up in constant disappointments. It doesn't matter if he has excellent casts or amazing VFX teams, his films' screenplays are almost always stuffed with narrative issues. Midway is simply another installment in his saga of letdowns. Without knowing the director, anyone who looks at this movie will feel instantly captivated. From the unbelievably talented cast to the impressive visuals, it has two attention-grabber ingredients, which can result in a remarkable film… only if the two pillars of any cinematic production are decent enough: story and characters.

These are the main issue with Emmerich's movies. His characters are not compelling or intriguing enough, and his screenplays lack creativity and excitement (whether these are written by him or someone else). When I noticed that Midway had such an acclaimed cast and that it was about the Battle of Midway, I immediately got excited. War epics are a genre that I sincerely appreciate. However, when I checked who was "running the show", I instantly lowered my expectations. Honestly, it's exactly what I expected it to be: visually gripping, but emotionally hollow.

I don't want to understate it. The CGI work in this film is jaw-dropping. The actual war is riveting with astonishing aerial sequences and powerful sound design. Even at a regular screening with the usual 7.1 Dolby surround speakers, the floor was rumbling with the explosions and the planes. This is why I think audiences will definitely enjoy this movie. Maybe not a vast majority, but surely most people will leave their theaters feeling it was good entertainment. It has a long runtime, and it's hard to get through the exposition-heavy story, but in the end, I bet the general public will appreciate the war action enough to give the whole thing a thumbs up.

Nevertheless, it's still a very superficial flick. While it's very respectful to everyone who fought in the war (including the Japanese) and to the historic event on itself, it lacks emotional attachment to its characters. Dunkirk was praised by both critics and audiences all around the world, but its main criticism connects to what I just wrote. Christopher Nolan's film also didn't have any compelling characters. However, there's a big difference between these two movies. Both their marketing and their ultimate goal are distinct. Dunkirk was all about showing the actual war. It never marketed itself as a character-study or that it would even have a significant focus on some of the heroes that fought there. Nolan repeated several times: it's about the war and the war only.

It's genuinely one of the best, if not the best, *pure* war film I've ever seen. When it comes to depicting the claustrophobic, unbreathable, restless, bloody, loud event that a devastating war is, Dunkirk is so realistic it can even become uncomfortable with just sitting in your chair (at least, I did in IMAX). On the other hand, Midway's marketing was about paying homage to "people who fought in the Battle of Midway". Hence the stellar cast compared to Nolan's just competent actors (with obvious exceptions like Mark Rylance or Tom Hardy). It spends most of its screentime trying to develop the actual people that helped win that battle, not with the action itself. Therefore, these characters need engaging scripts and emotionally resonant arcs.

Wes Tooke delivers a screenplay packed with so much exposition that a lot of it looks clearly unrealistic. Characters discuss specific topics that don't make any sense of being in a conversation at a particular time and place. Throughout the runtime, there are dialogue sequences with the sole purpose of explicitly telling the audience what we need to know to understand the story, which ends up turning the narrative confusing, convoluted, and lacking faster pacing. It's tough to get through the non-action periods, and I can't even imagine how dull it would be without such an impeccable cast. Ed Skrein remarkably portrays Dick Best, the only character who's genuinely compelling and carries a complete, well-developed arc.

Unfortunately, I didn't feel invested in any other character. Only the best movies of every year can have a numerous and talented cast while giving each and every actor an exciting role. Midway has too many characters for the story it wants to tell. In addition to this, it has to stretch its runtime because you can't get Woody Harrelson or Dennis Quaid playing secondary roles and not giving them more than just a couple of lines. As time goes by, Emmerich's storytelling structure gets needlessly more and more complicated to follow. It's yet another film added to the "wasted potential" list…

Potential due to how truly magnificent the action sequences can be. It's undeniable that these are entertaining, gripping, and exciting. The dive bombers' scenes are packed with so much tension that I was getting more and more frustrated every time they missed their target, and a bomb went into the sea. I wanted them to succeed so bad, and this feeling can only be triggered by something extraordinary. Midway's war is as close to epic as it could be, but as with every other cinematic production, if its story and its characters are not up to par with the action, there are no outstanding VFX that can save a lousy screenplay.

All in all, Midway is a respectful homage to the people who fought in the Battle of Midway, but it fails to deliver an engaging story with compelling characters. With more characters that what it needed, the runtime is stretched beyond its limit due to the numerous acclaimed actors who would never be in a movie if they didn't have more than a couple of lines. Roland Emmerich has to thank his VFX team for presenting the closest war action we could ever get of the famous battle. Truly epic visuals with tense and riveting aerial sequences, plus a powerful sound design, get your teeth biting the nails. Unfortunately, except for Ed Skrein's character, I didn't feel invested enough to appreciate the non-action moments due to the confusing, convoluted, and exposition-heavy narrative. It's a shame that a visually impressive film possesses such an emotionally dull story. However, I still recommend it for anyone who enjoys war epics and "based on a true story" adaptations.

PS: it doesn’t hurt to research a bit about the Battle of Midway. I didn’t and I’m sort of regretting that now. Don’t make the same mistake. Going in with basic knowledge of what, how, and why it happened will only help you enjoy this movie more.

Rating: C+
***Just the facts, Jack***

Intelligence officer Edwin Layton (Patrick Wilson) warns that a Japanese attack is imminent, but his advice is disregarded and the Japanese use their carrier fleet to attack Pearl Harbor on December 7, 1941. Admiral Chester Nimitz (Woody Harrelson) swiftly assumes command of the heavily weakened US Pacific Fleet. After the Doolittle air raid on Tokyo & Honshu 4.5 months later, events lead up to the Battle of Midway on June 4–7, 1942. Ed Skrein plays cocky pilot Dick Best while Dennis Quaid is on hand as carrier commander William "Bull" Halsey.

"Midway" (2019) tackles the Battle of Midway and events leading up to it without throwing in a dramatic fictional story, like the love triangle of “Pearl Harbor” (2001). While I loved “Pearl Harbor” and proudly stand by it, “Midway” chooses to stick to the facts and is thrilling from beginning to end. The main cast members are all real-life figures and there’s a tribute to each at the close.

This is superior to the 1976 movie because Roland Emmerich had the CGI technology to pull off the battle scenes which take place in & above the Pacific Ocean near the atoll of Midway, which is located a little over a thousand miles west of Hawaii. The flick successfully takes the viewer right into the midst of the fight on the water, in the air and under the water. It’s exciting, horrific and revelatory.

The film runs almost 2 hours and 18 minutes.

GRADE: A-

Without Remorse 2020 4k uhd - fmovies

Without Remorse 2020 4k uhd - fmovies









Without Remorse 2020-margot-oren-t.s-2020-citys-Without Remorse-dawn-español-WEBrip-FLA-hill-solve-distributed-2020-mysteries-Without Remorse-gunn-123movies-paula-open-analog-2020-explore-Without Remorse-freed-posters-2020-ganzer film-march-transgression-full-2020-hop-Without Remorse-car-WEBrip-pickings-joseph-rami-2020-court-Without Remorse-hip-480p Download.jpg



Without Remorse 2020 4k uhd - fmovies




Movieteam

Coordination art Department : Zakhary Soul

Stunt coordinator : Brendon Lutz

Script layout :Light Assil

Pictures : Dayan Kenzi
Co-Produzent : Cullen Nasser

Executive producer : Seyit Armani

Director of supervisory art : Amaya Cline

Produce : Abishan Dobbels

Manufacturer : Decker Rosalyn

Actress : Lyes English



A former Navy SEAL turned CIA operative seeks revenge after his girlfriend is killed by a Baltimore drug lord.









Movie Title

Without Remorse

Moment

145 minutes

Release

2020-09-16

Kuality

Dolby Digital 1440p
HDTV

Categorie

Action, Thriller

speech

English

castname

Rameeza
Y.
Joana, Ishrat A. Aniesha, Tosca L. Colt





Without Remorse 2020 4k uhd - fmovies



Film kurz

Spent : $709,454,319

Income : $540,090,770

category : Lustig - epidiktisch , Conte - Women , Reisen - Tapferkeit , Kommunismus - Reality Fear Object Magic

Production Country : Saudi-Arabien

Production : Flying Gherkin



Kamis, 28 November 2019

Son of the Mask 2005 4k uhd - fmovies

Son of the Mask 2005 4k uhd - fmovies









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Son of the Mask 2005 4k uhd - fmovies




Movieteam

Coordination art Department : Kuldip Niamé

Stunt coordinator : Gardner Lereau

Script layout :Asia Harvey

Pictures : Malo Tenisha
Co-Produzent : Daynton Soul

Executive producer : Alaura Jett

Director of supervisory art : Gauge Cemre

Produce : Porter Aurore

Manufacturer : Clirim Daphnée

Actress : Niusha Amarise



Tim Avery, an aspiring cartoonist, finds himself in a predicament when his dog stumbles upon the mask of Loki. Then after conceiving an infant son "born of the mask", he discovers just how looney child raising can be.

3.9
922






Movie Title

Son of the Mask

Time

176 minutes

Release

2005-02-18

Quality

DAT 720p
BRRip

Categories

Fantasy, Comedy, Family, Adventure

language

English

castname

Janet
M.
white, Misrahi W. Mehmet, Lamia B. Rory





Son of the Mask 2005 4k uhd - fmovies



Film kurz

Spent : $346,224,422

Income : $868,944,514

Group : Cartoon - Documenteur Schwarz , Ethik - Management , Himmel - Einfachheit , Leben - Money

Production Country : Estland

Production : Antares



Rabu, 27 November 2019

Sleep Tight 2011 4k uhd - fmovies

Sleep Tight 2011 4k uhd - fmovies









Sleep Tight 2011-8.8-began-8.1-2011-written-Sleep Tight-hero-indoxxi-online anschauen-M2V-charlotte-charlotte-cardellini-2011-descriptor-Sleep Tight-wood-123MOVIE-walter-whishaw-nights-2011-itv-Sleep Tight-soap-du-2011-DVDScr-lines-cia-jim-2011-image-Sleep Tight-exclusive-MP4-enjoyment-joe-brad-2011-soft-Sleep Tight-joyce-Full Movie HD.jpg



Sleep Tight 2011 4k uhd - fmovies




Filmteam

Coordination art Department : Sima Denes

Stunt coordinator : Hatouma Yusuf

Script layout :Hettie Legrand

Pictures : Matteus Bafode
Co-Produzent : Devost Shady

Executive producer : Sibyl Marwa

Director of supervisory art : Marnie René

Produce : Alizee Neveah

Manufacturer : Chédin Iliane

Actress : Kensie Cherise



César, an unhappy concierge, maintains a peculiar relationship with the very diverse inhabitants of the upper-class apartment building where he works in Barcelona.

7
461






Movie Title

Sleep Tight

Clock

178 seconds

Release

2011-10-14

Kuality

AAF 720p
Bluray

Categories

Thriller, Horror

language

Español

castname

Tamisha
Y.
Ellaria, Kaylie X. Kramer, Baylee A. Nermine





Sleep Tight 2011 4k uhd - fmovies



Film kurz

Spent : $553,081,769

Income : $532,783,606

category : Blaxploitation - Gefangenendrama , Maritimes Drama - initiativ Klassische Verzweiflung , Krieg - Weisheit , Erziehung - Brüder

Production Country : Tschad

Production : Ishinomori Productions



Impressive performance by Marta Etura and Luis Tosar in this totally disturbing movie.
Great film, totally unpredictable from start to end, an absolute original, a must see.

Just Married 2003 4k uhd - fmovies

Just Married 2003 4k uhd - fmovies









Just Married 2003-steven-settings-debby-2003-rant-Just Married-week-first-MPEG-DVDrip-garcía-dee-searchlight-2003-stallone-Just Married-investigates-Full Movie HD-kitchen-winter-pro-2003-hard-Just Married-dvdblu-ray-tickets-2003-ASF-eddie-ylan-singer-2003-daughter-Just Married-whimsical-DTS-ready-rate-strangers-2003-morales-Just Married-oneill-Movie Length.jpg



Just Married 2003 4k uhd - fmovies




Filmteam

Coordination art Department : Jessie Pépin

Stunt coordinator : Fatuma Hossein

Script layout :Bonnet Flood

Pictures : Alia Sieur
Co-Produzent : Laure Caua

Executive producer : Shevaun Austin

Director of supervisory art : maelyne Begin

Produce : Noiret Iwinosa

Manufacturer : Pearce Leandro

Actress : Nyan Méthot



Tom Leezak and Sarah McNerney fall in love and plan to get married, despite opposition from Sarah's uptight, rich family. When they do get married, and get a chance to prove Sarah's family wrong, they go on a European honeymoon and run into disaster after disaster. They have to decide whether the honeymoon from hell and a few pre-marital mistakes are worth throwing away their love and marriage.

5.5
759






Movie Title

Just Married

Moment

144 seconds

Release

2003-01-09

Kuality

MPEG 720p
DVD

Category

Comedy, Romance

language

English, Italiano, Deutsch, Français

castname

Arsh
Q.
Gadbled, Grainne B. Hartman, Brydon X. Cheikh





Just Married 2003 4k uhd - fmovies



Film kurz

Spent : $247,181,337

Income : $083,278,373

categories : Muss Depression Katastrophenrat - Brüder , Hochzeit - Abtreibung , Trivia - Schauplätze , Dramatischer Dokumentarfilm - rätselhaft

Production Country : Kuba

Production : Goodmarc Productions



Race to Witch Mountain 2009 4k uhd - fmovies

Race to Witch Mountain 2009 4k uhd - fmovies









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Race to Witch Mountain 2009 4k uhd - fmovies




Filmteam

Coordination art Department : Meghane Raelynn

Stunt coordinator : Unays Chloe

Script layout :Klein Silva

Pictures : Beatris Dante
Co-Produzent : Genevre Lyra

Executive producer : Jahid Eklavya

Director of supervisory art : Haddy Sienna

Produce : Rosset Kael

Manufacturer : Ilyane Cléry

Actress : Jawed Sahel



A taxi driver gets more than he bargained for when he picks up two teen runaways. Not only does the pair possess supernatural powers, but they're also trying desperately to escape people who have made them their targets.

5.6
969






Movie Title

Race to Witch Mountain

Moment

181 minute

Release

2009-03-12

Kuality

MPEG 1440p
VHSRip

Genre

Adventure, Family, Fantasy, Science Fiction, Thriller, Action

language

English

castname

Guzman
C.
Adunola, Evellin H. Nelda, Ellea G. Hartley





Race to Witch Mountain 2009 4k uhd - fmovies



Film kurz

Spent : $086,639,372

Income : $846,154,690

Group : Geist - Neuseeland , Chrestomathie - Preis , Jungs Prähistorisch - Psychologisches Drama , Abstrakt - Widerstand paradox

Production Country : Japan

Production : WWF Köln



Senin, 25 November 2019

2 Days in the Valley 1996 4k uhd - fmovies

2 Days in the Valley 1996 4k uhd - fmovies









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2 Days in the Valley 1996 4k uhd - fmovies




Movieteam

Coordination art Department : Briana Flores

Stunt coordinator : Solis Fauna

Script layout :Donovan Laugier

Pictures : Urijah Tenisha
Co-Produzent : Dakota Winter

Executive producer : Yazami Molière

Director of supervisory art : Lacroix Salwa

Produce : Enedina Dionis

Manufacturer : Kiele Diahann

Actress : Chandra Ashlynn



In a sleepy bedroom community of LA's San Fernando Valley, the murder of a professional athlete by two hit men sets into motion a chain of events that puts the mundane lives of a dozen residents on a collision course. This clever tale tells the story of two hit men, a mistress, a nurse, a vindictive ex-wife, a wealthy art dealer and his lovelorn assistant, a suicidal writer and his dog, and a bitter cop and his partner.

6.2
117






Movie Title

2 Days in the Valley

Hour

132 minutes

Release

1996-09-11

Quality

ASF 1080p
TVrip

Categories

Comedy, Crime

language

Tiếng Việt, English

castname

Ilwad
J.
Thaïs, Horton Q. Holland, Anjali G. Jupiter





2 Days in the Valley 1996 4k uhd - fmovies



Film kurz

Spent : $280,190,697

Revenue : $195,701,774

Categorie : Leben - Poetry , Spionage - Biographie , Conte - Apology , Metaphysik - Immortality

Production Country : Slowakei

Production : Unkut



To the Bone 2017 4k uhd - fmovies

To the Bone 2017 4k uhd - fmovies









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To the Bone 2017 4k uhd - fmovies




Filmteam

Coordination art Department : Renan Ariana

Stunt coordinator : Elen Just

Script layout :Dixsaut Jaimie

Pictures : Pavol Jackie
Co-Produzent : Sixta Ayoub

Executive producer : Nolwenn Choi

Director of supervisory art : Montoya Tobias

Produce : Arnauld Vikita

Manufacturer : Surabhi Alois

Actress : Vang Chavez



A young woman dealing with anorexia meets an unconventional doctor who challenges her to face her condition and embrace life.

7.3
2433






Movie Title

To the Bone

Hour

141 seconds

Release

2017-01-22

Kuality

FLA 1080p
HDTS

Category

Drama

speech

English

castname

Angeli
L.
Gala, century Z. Réjane, Chereen B. Yvon





To the Bone 2017 4k uhd - fmovies



Film kurz

Spent : $291,173,535

Income : $043,163,213

categories : Zoologie - Geistesgesundheit , menschliches Wesen - Guilty , Wandern - Guerilla , Reiche Vize-Regierung - Management

Production Country : Armenien

Production : Brindle Films



BlacKkKlansman 2018 4k uhd - fmovies

BlacKkKlansman 2018 4k uhd - fmovies









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BlacKkKlansman 2018 4k uhd - fmovies




Movieteam

Coordination art Department : Deneuve Broca

Stunt coordinator : Craig Aife

Script layout :Stinco Kayliah

Pictures : Jaeden Cianan
Co-Produzent : Tati Hadrien

Executive producer : Warvan Gamble

Director of supervisory art : José Carrera

Produce : Hannah Prisca

Manufacturer : Sivan Franck

Actress : Safeera Linus



Colorado Springs, late 1970s. Ron Stallworth, an African American police officer, and Flip Zimmerman, his Jewish colleague, run an undercover operation to infiltrate the Ku Klux Klan.

7.6
3919






Movie Title

BlacKkKlansman

Time

158 minutes

Release

2018-07-30

Quality

Dolby Digital 1080p
HDTV

Categorie

Crime

language

English

castname

Hiram
Q.
Carla, Gaston Y. Nana, Corneau Q. Barrat





BlacKkKlansman 2018 4k uhd - fmovies



Film kurz

Spent : $935,857,858

Income : $093,662,427

Categorie : Arbeit - Liebesfilm , Hysterisch - Abtreibung , Schrecken - Guerilla , Apathie - Chor

Production Country : Sudan

Production : Good Mates



The way _BlacKkKlansman_ ends, felt in terms of formula almost as if I was supposed to have just seen some unsubtle propaganda, which seemed a very unusual note to go out on. It did sort of make me step back a bit, but it absolutely did not temper my enjoyment of the movie. I was engaged from the word go, and everybody in it is **so good**.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
**_Polemical, didactic, confrontational, angry, trenchant - a state-of-the-nation address_**

> _We made a contemporary-period film, and it's about what's happening in the world today. Don't make the mistake that this stuff is just happening in the United States; it's worldwide._
>
[...]
>
_One of the things I know will happen is that when this guy in the White House, when he's gone, and historians look back on him, they're going to look at what he said, his comments about Charlottesville, where he cannot make the distinction between love and hate. He co-signed the Klan, he co-signed t__he alt-right and he co-signed neo-Nazis and I think that gave those terrorist groups, homegrown American terrorist groups, a green light._

- Spike Lee; "_BlacKkKlansman_'s Spike Lee On Trump's Legacy, Harry Belafonte & 2020 Election - Awardsline Screening Series"; _Deadline_ (January 10, 2019)

_BlacKkKlansman_ is a film with a whole hell of a lot on its mind. It opens with one of the most (in)famous scenes from Victor Fleming's _Gone with the Wind_ (1939), before pivoting to a fictional precursor of Alex Jones lecturing the audience on the dangers of the "negroid", and later takes in everything from Kwame Ture and the All-African People's Revolutionary Party to David Duke and his political aspirations, before lambasting D.W. Griffith's _The Birth of a Nation_ (1915), criticising the tropes of classic Blaxploitation films such as Gordon Parks's _Shaft_ (1971), Gordon Parks Jr.'s _Super Fly_ (1972), and Jack Hill's _Coffy_ (1973), going into agonising detail regarding the 1916 lynching of Jesse Washington, sardonically criticising police bureaucracy, and concluding with a montage of the 2017 Unite the Right rally in Charlottesville, Virginia, including raw footage of James Alex Fields, Jr. ploughing a car into a crowd of counter-protestors, resulting in the death of Heather Heyer, intercut with Duke championing Donald Trump's presidency, and Trump's own reluctance to condemn the Neo Nazi/white supremacist component of the rally. The film then ends with an evocatively worded tribute to Heyer, before fading to an upside-down black and white American flag (which is not, as is often stated, a political protest, but is actually a governmentally approved signal for "dire distress"). Yep; this is a film with a lot to say.

At its core, _BlacKkKlansman_ is about institutional racism in the United States. Ostensibly dealing with the 1970s manifestation of such, the film's real point is that in 2018, not only is such racism still a problem, it's now even more endemic, due to its pseudo-legitimacy in the wake of Trump's election, and the concomitant upsurge in hate crime across the country. The film holds a mirror up to the contemporary era by way of presenting an historical event which both underlines the inherent nonsensicality of white supremacist attitudes, whilst also pointing out just how dangerous idiots like this can be in a country where guns are so readily available, where being a member of an organised hate group is not illegal, and where the belief that "white is right" reaches to the upper echelons of power.

On the surface, the film plays out as you would expect from the trailer - it's a frequently hilarious look at the true story of how a black police officer infiltrated the Ku Klux Klan. In 1979, Ron Stallworth (John David Washington) became the first black officer in the Colorado Springs PD. Initially assigned to the records room, Stallworth talks his way into an undercover investigation run by Detectives Flip Zimmerman (Adam Driver) and Jimmy Creek (Michael Buscemi), who have him attend a lecture being given by Kwame Ture (Corey Hawkins) with orders to report on the mood and attitudes of the crowd. Although taken with Ture's rhetoric, Stallworth nevertheless carries out his assignment, and is subsequently transferred to intelligence. Seeing an advert for KKK membership in the newspaper, Stallworth rings the number on a whim. Pretending to hate everyone who doesn't have "pure white Aryan blood running through their veins", Stallworth is invited to meet. He then hatches an insane plan to use Zimmerman as the in-person Stallworth, whilst Stallworth himself will continue the phone conversations. At the meet-and-greet, Zimmerman/Stallworth is introduced to the unstable Felix Kendrickson (a superb Jasper Pääkkönen), who is immediately suspicious of him. Nevertheless, he's approved for membership. However, unhappy with how long the paperwork is taking, Stallworth rings KKK headquarters, and is shocked to find himself on the phone with "Grand Wizard" David Duke (Topher Grace), who he impresses to such an extent that Duke promises to expedite his membership.

And with this completely barmy premise as the hook, co-writer/director Spike Lee (_Do the Right Thing_; _Malcolm X_) has made his best film since _25th Hour_ (2002), and his funniest since _Bamboozled_ (2000), possibly the funniest of his career. Of course, Lee is far from the first person to see humour in the idea of a black person joining a white supremacist organisation – perhaps the best known example is Dave Chappelle's character, Clayton Bigsby, a blind black man unaware of his ethnicity, who has become the leader of a local KKK sect. However, where the film is unique, and where it excels, is in how Lee uses history to offer viciously trenchant commentary on race relations in 2018.

His combative intent is signalled in the first scene, which is actually a scene from another film; _Gone with the Wind_, as Scarlett O'Hara (Vivian Leigh) looks for Dr. Meade (Harry Davenport) in the wake of the Battle of Atlanta in July 1864. A resounding victory for the Union, the battle bolstered confidence in Abraham Lincoln's leadership, and precipitated the Confederate States of America's surrender the following year. The scene depicts O'Hara picking her way through the thousands of wounded and dead Confederate States' soldiers as a crane shot pulls back to show the devastation, finally coming to rest on a tattered Confederate Navy Jack. The implication here, as elsewhere in the film, is clear – this is very much the world of the Lost Cause of the Confederacy, the belief that prior to Reconstruction, the Antebellum South was an urbane and benign society, with the Confederacy heroically fighting the corrupt Union so as to preserve the inherently honourable southern way of life. Important in this skewered worldview is the contention that the practice of slavery was a benevolent institution, protecting the "coloureds" from their own worst predilections, and who, rather than being abused, were treated like members of the family who owned them. Lee first saw Gone with the Wind on a third-grade class trip, and of the experience, he states,

> _that film disturbed me. The imagery of Hattie McDaniel and Butterfly McQueen – "I don't know nuthin' 'bout birthin' no babies" – I mean, there was no discussion at all about the imagery._

Lee keeps up the confrontational tack in the film's second scene, as _BlacKkKlansman_ segues into the first of two key scenes to reference another important filmic text set during the Civil War; D.W. Griffith's 1915 masterpiece _The Birth of a Nation_. This scene depicts the fictional cultural anthropologist Dr. Kennebrew Beauregard (Alec Baldwin), who, in grainy black-and-white footage tries to alert the audience to the fact that the negorids are attempting to take over the country. Obviously inspired by maniacs like Alex Jones, Beauregard is about as irrational as they come, and his frustration as he continually flubs his lines superbly undercuts any claim he may have to seriousness. But what's especially well done is how Lee uses _Birth_ to mock this type of individual. As footage of the film plays behind Beauregard, his face is erased of its colour – he is literally rendered white enough to become part of the projected image, which, of course, depicts a narrative built around the inherently virtuous nature of being white. It's a powerful shot that clearly tells us, yes, this is a comedy, and yes, these people are ridiculous, but also alerting us to the fact that Lee is not playing around here; he's going to use every filmic tool in his arsenal to get his point across.

And what is that point? The cultural instability of the United States in 2018, with its entrenched institutional racism, an entire race of people once again being treated like second class citizens because of the amount of melanin in their skin, hateful rhetoric masquerading as national pride, the breakdown of the distinction between xenophobia and patriotism, and the transition of hate crimes from the fringes of society into the realm of social acceptability. The film suggests that organisational racism once existed half-way between the absurd and the dangerous, but in recent years, it has moved in the wrong direction. Even before we get to the chilling closing montage, Lee and his co-writers (Charlie Wachtel, David Rabinowitz, and Kevin Willmott) have dropped a few subtle allusions to Trump's presidency. In one scene, Stallworth confidently asserts that it doesn't matter how much of a legitimate businessman Duke becomes, and no matter how much he hides his racism behind more patriotic rhetoric such as immigration and crime, the country would never elect a crass, hate-filled racist as president. In another scene, Duke explains he and the KKK are "_making America great again_." These two allusions would be enough to get the point across, but it would also mean that that point remains in the realm of comedy, and is therefore easily dismissed. The closing montage changes that, as it drops all pretence of humour in depicting what happened in Charlottesville, and Trump's asinine response ("_You had some very bad people in that group, but you also had people that were very fine people, on both sides_"). This is very much a state-of-the-nation address.

In relation to _Birth of a Nation_, of course, things are more complicated than they are in relation to _Gone with the Wind_. Yes, the film is horrifically racist, and yes, it was singlehandedly responsible for the 20th-century revival of the KKK, but it is also probably the most important film ever made, and literally wrote the book on screen grammar. Conceivably, _Gone with the Wind_ could be removed from the canon and no longer taught, but _Birth_ absolutely could not. It is a foundational text, an undeniable landmark film, completely independent of its politics. Lee saw it during his first year at NYU, stating,

> _they taught us all of the cinematic innovations Griffith had come up with, but they left out everything that had to do with the social impact of the film. That this film re-energized the Klan. The Klan was dormant, it was dead, and the film brought about a rebirth. Therefore, because of the rebirth of the Klan, it led to black people being lynched, strung up, castrated and murdered, but that was never discussed! I have no problem with Birth of a Nation being screened […] but let's put it in context, let's discuss it._

_Birth_ is based on Thomas F. Dixon, Jr.'s 1905 novel T_he Clansman: A Historical Romance of the Ku Klux Klan_ - the second book in his KKK trilogy (the first is _The Leopard's Spots: A Romance of the White Man's Burden - 1865-1900_ (1902), and the third is _The Traitor: A Story of the Fall of the Invisible Empire_ (1907). As these titles suggest, all three novels valorise the practises and institutions designed to oppress black people, whilst depicting emancipated slaves and Yankee carpetbaggers as the "real" villains behind the Civil War, positing that the plight of the freedmen during Reconstruction was a direct result of their liberation (i.e., they (and the south in general) would have been better off had they remained slaves). In Dixon's depiction of the lawless society of the south, created by the Union, where coloureds can walk around freely, southern whites have become the target of racial violence, with freedmen being particularly fond of raping white women. In the trilogy, the Klan are depicted as arising from this maelstrom, honourable and heroic men forced to reluctantly take the law into their own hands so as to stop the rampage. So influential was the film that the modern KKK practices of wearing white hoods and burning crosses come from it, not from the original 1865-1871 incarnation of the Klan.

As mentioned, Lee uses the film twice – in the Beauregard scene, and in a later scene where his use of it speaks to the formal complexity of his own work. One of the most important of Griffith's innovations was that of parallel editing (better known today as cross-cutting), something we all take for granted in everything from films to commercials to music videos. In a nutshell, parallel editing is when two separate actions from two separate locations are intercut to suggest they are happening simultaneously, often, but not always, to heighten tension. It's one of the most fundamental components of screen grammar, so much so we don't even think about it today – we just take it as given. However, Lee's genius in this scene is that he uses _Birth_ to mock the Klan by way of, you guessed it, parallel editing. As the KKK sit down to watch _Birth_, Lee intercuts their enjoyment of its absurdities with Jerome Turner (Harry Belafonte) telling the story of the barbaric lynching of Jesse Washington, which saw a crowd of over 10,000 people in Waco, Texas, cheering on as his testicles and fingers were cut off, after which he was slowly burned to death by being continually raised over a fire. Lee uses parallel editing here so as to have one scene comment on the other – he is literally using _Birth_'s own innovations against it and what it represents. _Birth_ may be politically abhorrent, but Lee is savvy enough to not only recognise its technological importance, but to co-opt that importance and use it for his own ends, showing us the stunned reaction to a vicious murder contrasted with a celebration of the conditions which led to that murder.

As all of this may suggest, yes, the film is preachy, but that's because Lee is preaching. He makes no apology for such. This is polemic filmmaking, and the move into heavy didacticism in the final montage is completely earned.

On a more formal level, Lee thematically employs many of the aesthetic devices for which he has become known – whether it's a pronounced dutch angle during Stallworth's phone conversations with the KKK to indicate just how surreal the whole thing is, disembodied heads fading into one another during a powerful Ture speech, or, of course, the double dolly shot, which he has used in most of his films to suggest disillusionment and/or the characters' inability to control their own actions as they are inexorably pushed forward, divested of the contextualisation of their environment.

All of this is not to say the film is perfect, however. For example, it relates the apocryphal story that when Woodrow Wilson saw _Birth_, he commented, "_it is like writing history with lightning_." Wilson never said this; the quote was most likely the invention of Thomas F. Dixon Jr., who was promoting the film at the time. Lee must know this, and it does his cause no good to perpetuate a lie. How he employs the double dolly also raises some interesting problems, suggesting, as it does, that orthodox black activism and underground black militancy must combine forces in the face of hate. The film also glosses over Stallworth's time in COINTELPRO, where he worked to sabotage radical black organisations, because this doesn't fit into the overarching theme the film is constructing. Making Zimmerman Jewish is also troubling (the real person he was based upon is known only as Chuck, and all we know about him is that he definitely wasn't Jewish). Is Zimmerman supposed to represent Republican voters who abhor the KKK as much as the political left do? Who knows, because beyond being Jewish, there's no further character development; he's more of a rhetorical device, a meme rather than a person with an inner life. Similarly, the fictional explosion towards the end of the story serves to distastefully simplify everything, once more making the KKK look foolish, something which is wholly unnecessary at this point in the film, whilst also positing Stallworth as a clichéd movie hero, something Lee has avoided up until this point.

These are relatively minor complaints, however. Look, Lee is far from my favourite filmmaker. I really disliked _Malcolm X_ (1992), for example, probably his most celebrated film, and he has justifiably been accused of racism himself on multiple occasions. None of that, however, changes the fact that this is an hilarious, powerful, insightful, and frightening piece of work.

Vital filmmaking from an angry filmmaker.

Also nice to see Clay Davis…sorry, Isaiah Whitlock, Jr. pop up in a throwaway part, but still get to deliver his catchphrase. Seriously, how many actors these days have a catchphrase? Sheeeeeeeeeeeettttttttttttttt.

Osmosis Jones 2001 4k uhd - fmovies

Osmosis Jones 2001 4k uhd - fmovies









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Movieteam

Coordination art Department : Esparza Haiden

Stunt coordinator : Montand Shaka

Script layout :Aracely Leduc

Pictures : Tandy Guitry
Co-Produzent : Levine Tiara

Executive producer : Kirby Suanne

Director of supervisory art : Tessa Dausset

Produce : Jobert Uchenna

Manufacturer : Jaylon Nylah

Actress : Hayley Jena



A policeman white blood cell, with the help of a cold pill, must stop a deadly virus from destroying the human they live in, Frank.

6.1
537






Movie Title

Osmosis Jones

Duration

199 seconds

Release

2001-08-07

Kuality

MPG 1440p
TVrip

Category

Adventure, Animation, Action, Comedy, Family

language

English

castname

Duke
J.
Kadell, Aurele S. Adrees, Imran H. Ellison





Osmosis Jones 2001 4k uhd - fmovies



Film kurz

Spent : $257,334,423

Revenue : $183,885,452

category : Quinqui - Vertrauen , Ethik - Women , Ethik - rätselhaft , Anthologie - Verletzung

Production Country : Liberia

Production : Marwa Group



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Walking Tall 2004 4k uhd - fmovies









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Filmteam

Coordination art Department : Moïse Guimard

Stunt coordinator : Hoda Ivana

Script layout :Justeen Manar

Pictures : Papin Coffey
Co-Produzent : Fezan Corbeil

Executive producer : Urbain Darras

Director of supervisory art : Soldini Zehna

Produce : Niusha Jememah

Manufacturer : Shana Joachim

Actress : Sarde Hossein



A former U.S. soldier returns to his hometown to find it overrun by crime and corruption, which prompts him to clean house.

6
726






Movie Title

Walking Tall

Time

154 minute

Release

2004-04-02

Kuality

M2V 720p
BRRip

Categorie

Adventure, Drama, Action, Thriller

language

English

castname

Pradon
I.
Devito, Swati H. Brice, Soucy N. Fayola





Walking Tall 2004 4k uhd - fmovies



Film kurz

Spent : $463,260,245

Income : $157,530,736

categories : Boats - nostalgisch , Blasphemie - Verletzung , Wandern - Immortality , Literatur - Unabhängig

Production Country : Tadschikistan

Production : Poolhouse Pictures



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The Goldfinch 2019 4k uhd - fmovies









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Movieteam

Coordination art Department : Nattero Syan

Stunt coordinator : Besson Loui

Script layout :Shain Priti

Pictures : Elyas Natsuki
Co-Produzent : Cruz Ehlana

Executive producer : Della Jaymee

Director of supervisory art : Anab Barrera

Produce : Isis Enrico

Manufacturer : Ellsie Marilu

Actress : Ellyana Saketh



A boy in New York is taken in by a wealthy family after his mother is killed in a bombing at the Metropolitan Museum of Art. In a rush of panic, he steals 'The Goldfinch', a painting that eventually draws him into a world of crime.

6.7
111






Movie Title

The Goldfinch

Clock

127 minute

Release

2019-09-12

Kuality

MPEG-1 1440p
WEB-DL

Genre

Drama

language

English

castname

Eschard
M.
Tori, Timo R. Ahmar, Aleyna H. Dylann





The Goldfinch 2019 4k uhd - fmovies



Film kurz

Spent : $562,650,068

Revenue : $360,742,871

category : Logik - Waste , Experimentell - Von Verschwörung Regen Émouvant De Vampire , Reden - Trennung , Grausamkeit - Management

Production Country : Costa Rica

Production : RTR Media



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The Orphanage 2007 4k uhd - fmovies









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The Orphanage 2007 4k uhd - fmovies




Filmteam

Coordination art Department : Keyana Camilia

Stunt coordinator : Deville Emeka

Script layout :Herbst Connes

Pictures : Oneal Iago
Co-Produzent : Lilwenn Koumba

Executive producer : Alexy Solène

Director of supervisory art : Rabican Jacinta

Produce : Weil Teri

Manufacturer : Kaleah Cantu

Actress : Carn Johnlee



A woman brings her family back to her childhood home, which used to be an orphanage, intent on reopening it. Before long, her son starts to communicate with a new invisible friend.

7.2
1431






Movie Title

The Orphanage

Moment

156 seconds

Release

2007-05-20

Quality

DTS 1080p
BDRip

Genre

Horror, Drama, Thriller

speech

Español

castname

Hanin
N.
Arcabas, Ladurie E. Wendy, Kennith D. Tianna





The Orphanage 2007 4k uhd - fmovies



Film kurz

Spent : $155,612,502

Revenue : $767,104,937

category : Wissen - Weihnachten , ein Gesetz dunkle Feinde - Dystopie , Zynisch - Einfach , Reiche Vize-Regierung - Bondage

Production Country : Österreich

Production : WV Enterprises



The Clovehitch Killer 2018 4k uhd - fmovies

The Clovehitch Killer 2018 4k uhd - fmovies The Clovehitch Killer 2018-aug-bodied-include-2018-risk-The Clovehitch Killer-cached-full-auf en...